*swoon*

In the spirit of unfairly compartmentalizing people, allow me to tell you that you will fit into one of the following categories. In order of most to least shameful:

1. You have never even heard of Brian Stokes Mitchell.

2. You hadn't heard of him until recently, because, say, you went to a Tabernacle Choir concert where he was performing, and now you really like him.

3. You knew who he was years ago and have been singing his praises forever.

I refuse to admit the existence of a fourth category (which, incidentally, would be the most shameful of all, and would therefore be labeled as zero): you don't like Brian Stokes Mitchell. For shame.

If you are in category one, you most certainly need to get yourself into category two, and work your way into category three. Even if you're in category three, you might only know him because of his Broadway work (Ragtime, Kiss Me, Kate, Man of La Mancha...I could go on). And his Broadway work is fantastic. But you really need to check out his debut solo CD.

Almost all of the songs on this CD are indeed showtunes, but they're performed as if they're all jazz tunes. "Something's Coming," from West Side Story, is a fusion of Spanish dance and jazz--I defy you to listen and not tap your feet. I don't really care for Sondheim as a general rule, but I could listen to Brian Stokes Mitchell sing "Being Alive" forever. And my favorite tune on the album isn't a showtune at all: "Life is Sweet" is the peppiest, swingy-est, scatty-est jazz number ever, and you'll have to push "repeat." It's that good.

Brian Stokes Mitchell can sing anything, I swear. His voice is amazingly rich and so very expressive. (Hence the reason that the paring of him and Audra McDonald in Ragtime is so great--but that's for another post.) It will make you all melty inside. Even if you think you don't like jazz or showtunes, this album will change your mind. Do yourself a huge favor and pick it up. Because you can't have mine. It's autographed! Swoon, indeed.

Music to Be Busy By

Whew! It's been a crazy month (and it ain't over yet)--hence the complete dearth of posts. I've been spending very little time at home and quite a bit of time in my car, where this CD has been living.

I'll be up front with you: I sing with the University of Utah Singers. You may think this fact makes me a little biased. (It probably does.) But I did not belong to the group when they recorded A Jubilant Song, so you have to believe me when I tell you that this CD is fantastic.

This entirely acappella CD was recorded shortly after the Singers won the grand prize in what amounts to the World Series of choral singing. (Nerd heaven!) They were at the top of their game, and if they sound a little vocally tired in a few tracks, we can hardly blame them---it was the very end of a month-long tour during which they sang around 40 pieces with pretty severe regularity. But these little hiccups are so rare that you probably won't even notice them as you revel in the absolutely gorgeous sounds on this album.

Since the music on this CD ranges from the incredibly difficult (like "Rytmus" and "Psalm 96") to the astoundingly beautiful (like "Pilgrims' Hymn") to folk songs and spirituals (Moses Hogan makes an appearance) to the super eclectic (like Asian folk music), I am not ashamed to use the cliche saying that there really is something for everyone here.

You can listen to samples at the link above, and purchase from that site as well. And a shameless plug for me: should you decide to buy that CD (or any of the other six currently available, or the new Christmas CD being released at the end of October, please mention my name. We're going on tour in the spring and I get $10 of every $15 sale deposited directly to my tour account. Hooray for fundraising!

I promise, though, even if I didn't get money off the sale, I'd recommend this album. It's really, really good. Now, if you'll pardon me, I think I have to go drive somewhere...